• Last.fm
  • YouTube
  • Bandcamp
  • Instagram

Artists

‹ Back to Artists

Beware of Safety

"BoS have set themselves apart as a powerhouse in the post-rock scene with Leaves/Scars..." — Consequence of Sound

"a rock solid entry from an up and coming band that likely has its most frutiful years ahead and probably will impress us again and again along the way..." — Outburn Magazine

"The band plays with the same power they've shown on previous records, but here there's a new fluidity to their sound..." — Pop Matters

"This whole album is breathtaking and innovative... It’s really something startling..." — Migrate Music News

"With a lot of warmth and gentleness in some parts, and animosity and power in other parts, Leaves / Scars may stand out as a much more memorable album this year than something like Take Care, Take Care, Take Care, simply because it's so much more diversified and easy to connect to..." — Muzik Dizkovery

Steve Molter: guitar
Adam Kay: guitar
Jeff Zemina: guitar
Tad Piecka: bass
Morgan Hendry: drums

http://bewareofsafety.com/

Audio Sample:

Video:

Bio:
“Some bands like to play it safe. They find something that works for them, get comfortable with it, and then continue to fine tune that method with each subsequent project, often to critical acclaim and a delighted fan base. There’s absolutely nothing wrong with this method and it often yields classic albums and songs. But then there’s an entirely different breed of band. The type of band that couldn’t care less about critical approval. The type of band that writes music to challenge themselves and get it out of their collective souls because they have to. And the high risk, high reward brand of music this type of band creates can often become the catalyst for other people picking up instruments and learning how to play them. There’s a reckless abandon, an unwavering confidence, a “press-record-and-see-what-we-do” swagger that is inspirational and moving. On Leaves/Scars, the third album by the instrumental rock band Beware of Safety, we can hear them becoming one of the latter bands: taking high risks and bearing astonishingly high rewards. After touring on dogs in 2009, the band decided to begin writing the next record and for the first time in the band’s six year history, the album was to be written completely from scratch. In addition to going into the new album with no previously conceived material, the band would also be writing as a five piece for the first time. (Tad had joined the band on bass after dogs’ release in January, 2009.) So in what could be considered an “album of firsts” for the band, they also (for the first time) had an opportunity to write an entire record from start to finish with each member’s input on each song.  The diversity on display within the tracks on Leaves/Scars exemplifies the influence that this new writing process ultimately had on the final compositions. The range of sonic scope on display is mesmerizing. From the aggressive stomping and shrieking of the opening track, “Meridian”, to the building and climaxing crescendo of “Kevin Spacey”, to the slowly churning and growing “Lowercase West”; to the smooth jazz turned math metal cruncher that is “Crooked Nails for Catching Skin”; and on into the beautiful, triumphant, shimmering number “Moorpark Ends”; to the introspective and bittersweet “Small Victories”; and finally the utterly epic 11-minute closer “Memorial Day” which somehow encapsulates the entire gamut of the album’s emotional spectrum and gives it one final, massive shot in the arm. The immediate moments spent in the aftermath of Leaves/Scars are deafeningly quiet; a true indicator of the intimate listening experience of which you’ve just been a part. Some of this can be attributed to how the music was brought to life, as the band also approached the recording, mixing, and mastering of the album from a new perspective this time around. As Leaves/Scars crashes out of the gate, the immediacy of the new approach and the recording itself are instantly noticeable. Light on punch-ins and rejecting any over-finessing, the album has a strong, gritty, “in-your-face” sound that helps to separate itself even further from anything else in the band’s discography. Recorded by Jeff Lewis at The Compound Studio (Marc Ford, Dusty Rhodes & the River Band), mixed by Patrick Murphy, and mastered at Capitol Studios in Hollywood, CA by Evren Goknar (30 Seconds To Mars, Megadeth, Iggy Pop), it also marks the first time the band worked with three different people in three different locations to produce a record. Leaving their comfort zones in every aspect to make this album – from the initial writing methods, to the recording, mixing, and mastering process – Beware of Safety set out to challenge themselves and discover who they are as a band. This is an honest record, full of feeling, passion, and soul… From the heart."

Sheath News

Nov14
Distro Update

We have some awesome new ti...
More ›

See all News ›

Tour Dates

Nov 28
  • Jakob

    Sydney, AU

Nov 29
  • Jakob

    Wollongong, AU

Nov 30
  • Jakob

    Brisbane, AU

See More ›