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"'Hover' captures the band, rooted in hardcore, expanding their palette into a brooding and building epic with touches of doom, post-rock and more. You gotta hear it." — Noisey
"smolder and crush like a crusty heavy metal motherfucker on sure-to-be-short-lived parole…" — Decibel Magazine
"the kind of record for which the use of the verb “crushing” as an adjective was invented..." — Metal Sucks
"On the strength of what may be the next great post-metal record, 2016 looks to be a big year for Heiress..." — New Noise Magazine
"Heiress‘ magnum opus. With Made Wrong, the band have found the perfect devastating sound for them... It’s this Seattle band’s crowning achievement..." — Svbterranean
"their appeal lies in the conviction with which they deliver the music, and Pettibone’s delivery has never been more ferocious..." — Invisible Oranges
"the kind of power that will grip you by the neck and put your head in a vice..." — No Clean Singing
"Combining the atmospherics of bands like the Swans and Mogwai with the punch of post-hardcore and stripped-down heavy metal, Heiress not only crushes live, but they also sound killer on your headphones..." — No Echo
"The combination of earth-shattering instrumentation, the icy atmospheric interludes and John Pettibone’s commanding vocals, is simply stellar... 9/10" — American Aftermath
"unpredictability in the genres of aggressive music that is sorely needed..." — The 1st Five
"honest, raw emotion... 4/5" — Alternative Press
"the full experience of just how heavy rock music should be done..." — Seattle Passive Aggressive
Wes Reed: Guitar
Nathan Turpen: Guitar
Justin Martinez: Drums
Jerad Shealey: Bass
"Following their critically acclaimed full lengths Early Frost (2013, Deathwish Inc.) and Of Great Sorrow (2015, The Mylene Sheath), Seattle, WA’s Heiress land the knockout blow with highly anticipated follow-up, Made Wrong. The album consists of 7 jarring tracks that are all at once their most explorative, experimental, and intense yet. Vocalist John Pettibone (former Himsa & Undertow frontman) sounds more maniacal than ever, offering up his trademark, madman intensity in fine form throughout the maelstrom. The bands sound has become even harder to classify, mixing elements of hardcore, metal, post-metal, post-rock and doom into a vehement cocktail of tension and release.
For those uninitiated, Heiress is an American rock band from Seattle, WA featuring former members of Himsa, Undertow, Jough Dawn Baker and Sharks Keep Moving. They formed in Seattle, WA in 2006 originally with vocalist Adam Paysse, the co-founder of Rome Plow Records. Then in December 2008 Pettibone took over Paysse’s place as lead vocalist. With this lineup, Heiress recorded a five-song self-titled EP and self-released it in 2009. Soon after, in 2010, the band signed to Deathwish Inc., an independent hardcore record label that was co-founded by Jacob Bannon of Converge. The group’s first release through the label was a split 7" with Narrows. In mid-2011, legendary producer Jack Endino (Nirvana, Mudhoney, Soundgraden) produced and engineered new Heiress tracks at Soundhouse Studios. Endino also remixed two previously recorded Heiress songs which were released as the Naysayer EP in 2012. The single featured artwork by Demian Johnston, who previously played with Pettibone in Undertow and Nineironspitfire, and was positively received by Alternative Press (4/5). Ten of the remaining tracks from this session became Heiress’ full-length debut album titled Early Frost, released by Deathwish Inc. in early 2013 and received an 8/10 rating from Decibel Magazine.
The band then signed with The Mylene Sheath, and on February 10th, 2015, released their sophomore full length Of Great Sorrow, recorded with Tad Doyle at Witch Ape Studio (YOB, Lesbian, TAD). The album was mastered by Chris Hanzsek (Soundgarden, Melvins, Screaming Trees) with artwork once again handled by Demian Johnston. The vinyl quickly sold out during the pre-order for the album and the band went on to play a series of shows with XTRMST, a side project of AFI’s Davey Havok & Jade Puget. The album was well received by press outlets such as Noisey and Decibel Magazine. Metal Sucks went on to say “Of Great Sorrow is the kind of record for which the use of the verb “crushing” as an adjective was invented”. Even as the album was being released and promoted, the band was hard at work on its eventual follow-up, and their third full length, which brings us to the present.
Heiress now unleash “Made Wrong”. Recorded with iconic producer Matt Bayles (Mastodon, ISIS, Botch, Pearl Jam), and once again mastered by Chris Hanzsek, the album showcases a progression into darker, more experimental tendencies, while somehow managing to be heavier than anything the band has done to date. Artwork this time around was handled by Chet and Rachel Scott for Glass Throat Visions (who also did the artwork for Early Frost), and is scheduled for a March 18th, 2016 release date, once again through The Mylene Sheath.”